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Linda becomes withdrawn and despondent, especially after getting an abortion; Oscar's dealer, Bruno, destroys his stash; Alex lives in hiding on the streets; and Linda wishes she would have been with Alex instead of Mario, as Oscar had wanted.

Principal photography took place on location in Tokyo, and involved many complicated crane shots.

The film is shot from a first-person viewpoint, which often floats above the city streets, and occasionally features Oscar staring over his own shoulder as he recalls moments from his past. Noé's dream project for many years, the production was made possible after the commercial success of his previous feature film, Irréversible (2002).

Enter the Void was primarily financed by Wild Bunch, while Fidélité Films led the actual production.

The critical response was sharply divided: positive reviews described the film as captivating and innovative, while negative critics called it tedious and puerile. Oscar (Nathaniel Brown) lives in Tokyo with his younger sister Linda (Paz de la Huerta) and supports himself by dealing drugs, against the advice of his friend Alex (Cyril Roy), who attempts to turn Oscar's interest toward The Tibetan Book of the Dead, a Buddhist book about the afterlife.